The Association of Black Women Historians in “an open letter to fans of The Help”
well said. the rest of the statement is worth the read
There have been thousands of words written about Stockett’s skills, her portrayal of the black women versus the white women, her right to tell this story at all. I won’t rehash those arguments, except to say that I found the novel fast-paced but highly problematic. Even more troubling, though, is how the structure of narratives like The Help underscores the failure of pop culture to acknowledge a central truth: Within the civil rights movement, white people were the help.
The architects, visionaries, prime movers, and most of the on-the-ground laborers of the civil rights movement were African-American. Many white Americans stood beside them, and some even died beside them, but it was not their fight — and more important, it was not their idea.
This isn’t the first time the civil rights movement has been framed this way fictionally, especially on film. Most Hollywood civil rights movies feature white characters in central, sometimes nearly solo, roles. My favorite (not!) is Alan Parker’s Mississippi Burning, which gives us two white FBI agents as heroes of the movement. FBI agents! Given that J. Edgar Hoover did everything short of shoot Martin Luther King Jr. himself in order to damage or discredit the movement, that goes from troubling to appalling.
Why is it ever thus? Suffice it to say that these stories are more likely to get the green light and to have more popular appeal (and often acclaim) if they have white characters up front. That’s a shame. The continued impulse to reduce the black women and men of the civil rights movement to bit players in the most extraordinary step toward justice that this nation has ever known is infuriating, to say the least. Minny and Aibileen are heroines, but they didn’t need Skeeter to guide them to the light. They fought their way out of the darkness on their own — and they brought the nation with them.
–Martha Southgate, The Truth about the Civil Rights Era
In regards to how Hollywood, and “The Help” screwed up history.
Just so we can have a running count, how many empowering & autonomous images of women of color actually DO make it through hollywood? (serious question)
The Third Wave Foundation just released its report on abortion access and economic justice in the United States, along with an infographic detailing what it really takes to get an abortion.
Since 1998, Third Wave has sought to prevent economic injustice from determining the reproductive outcomes of young people, particularly for young people of color and low-income young people. Third Wave Foundation believes that reproductive rights, including one’s right to choose to give birth or not, often comes down to a question of access, particularly for groups that are marginalized, underserved, and under-resourced.
You can download the report as a PDF.